- NATIONALITY
Poland, 폴란드
- CURRENT JOB/POSITION
Artist
- EDUCATION
1999 Academy of Fine Arts, Ceramics Design, MA
- EXHIBITION
2020 Monika Patuszynska, Blas & Knada, Stockholm, Sweden
2019 Genealogy, Galeria SiC BWA Wroclaw/ Wałbrzyska Galeria Sztuki BWA Zamek Ksiaz, Wałbrzych
2017 The Waste Land, Escuela de Arte Talavera, Talavera de la Reina, Spain
2016 Something Old, Something New, Something Borrowed..., Gaya Ceramic & Design, Ubud, Bali, Indonesia
2014, 2011 Monika Patuszynska, Puls Contemporary Ceramics, Brussels, Belgium
2013 Operation Spode/ In Dust We Trust, Spode Factory Site, Stoke on Trent, UK
2013 Operacja Ksiaz, Lodz Design Festival, Lodz, Poland
2013 Bastards&Orphans, Jeroen Bechtold Gallery, Amsterdam, Netherlands
2013 Bastards&Orphans, Institute of Design, Kielce, Poland
2013 Bastards&Orphans, Galeria Szkla i Ceramiki BWA, Wroclaw, Poland
2011 Spor af porcelæn & magi, Galleri Brantebjerg, Nakke, Denmark
2010 Fragment og forvandling, Galleri Brantebjerg, Nakke, Denmark
2009 Nr.13, Galerie Frederik Bollhorst, Freiburg, Germany
- AWARD
2016 Master Prize, Prix Europeen des Arts Appliques, WCC-BF, Mons, Belgium
2013 Prix de la Ville de Vallauris, XXIIeme Biennale Internationale de Vallauris, Vallauris, France
2011 Honorable Mention, 9th International Ceramics Competition Mino, Mino, Japan
2011 Honorable Mention Award, 1st China Kaolin Grand Prix, Jingdezhen, China
2009 Premio Per Il Design, V° Simposio della Ceramica Contemporanea, Bassano Del Grappa, Italy
2008 Finalist Prize, Taiwan Ceramics Biennale, Taipei, Taiwan
2000 Judges' Special Award, 3rd Mashiko International Pottery Contes, Mashiko, Japan
- COLLECTION
2018 Det Kongelige Danske Kunstakademis Skoler for Arkitektur, Design og Konservering, Denmark
2017 Shangyu Ceramic Arts Center, Shangyu, China
2017 Korea Ceramic Foundation/ KOCEF, Icheon, Korea
2016 Gaya Ceramic Arts Center, Ubud, Bali, Indonesia
2014 International Ceramics Studio, Kecskemet, Hungary
2013 The Clay Studio, Philadelphia, USA
2013 Aberystwyth University Ceramics Collectio, Aberystwyth, Wales
2012 Museum of Modern Ceramic Art, Gifu, Japan
2012 Musee Magnelli, Musee de la Ceramique, Vallauris, France
2012 Musee Ariana, Geneve, Switzerland
2011 Keramikmuseum Westerwald, Hohr-Grenzhausen, Germany
2010 FuLe International Ceramic Art Museums (FLICAM), Fuping, China
2009 Fondazione Accademia dell'Artigianato, Este, Italy
2008 Taipei County Yingge Ceramics Museum, Taipei, Taiwan
- RESIDENCY/WORKSHOP
2019 Artist in Residence, Kallskar, Aland, Finland
2018 Internationales Keramiksymposium Romhild, Germany
2018 AiR, European Ceramic Context, School of Design Bornholm, Denmark
2017 V. Internationalen Keramik Symposium Innsbruck- Tirol, Austria
2017 Shangyu Ceramic Arts Center Shangyu, China
2017 Escuela de Arte "Talavera", Talavera de la Reina, Hiszpania
2016 artist residency, Gaya Ceramic Arts Center, Ubud, Bali, Indonesia
2015 artist residency, Jingdezhen Taoxichuan International Arts Center, Jingdezhen, China
2014 New Energy, International Ceramics Studio, Kecskemet, Hungary
2013 Guest Artist-in-Residence, The Clay Studio, Philadelphia, USA
2013 Explore, British Ceramics Biennial, Stoke-on-Trent, UK
2010 artist residency, FuLe International Ceramic Art Museums (FLICAM), Fuping, China
2009 V° Simposio della Ceramica Contemporanea, Bassano Del Grappa, Italy
2006- 2012 ICS Porcelain Another Way, Walbrzych, Poland
Direct contact with the medium is essential as it is all about balancing between maintaining the control and letting be in an attempt to capture the true nature of the material.
In our culture an accident is considered an error.
However the tamed accident is not an accident any more, is it? It becomes a technique.
Direct contact with the medium is essential as it is all about balancing between maintaining the control and letting be in an attempt to capture the true nature of the material.
In our culture an accident is considered an error.
However the tamed accident is not an accident any more, is it? It becomes a technique.
