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• NATIONALITY
  Israel, 이스라엘
• CURRENT JOB/POSITION
  Artist, Ceramic teacher, Art Therapist.
• EDUCATION
  2018 The Hebrew University, Israel, Biology, BSc
  2018 Tel-Hai College, Art Therapy, Diploma
  1998 Bezalel Academy of Art & Design, Israel, Ceramics, BA
• EXHIBITION
  2018 The Rothschild Prize Competition, Benyamini Contemporary Ceramic Center, Tel Aviv, Israel
  2018 Museo Internazionale delle Ceramiche, Faenza, Italy
  2018 “ISRAEL: 70 Years of Craft and Design”, Mingei International Museum, San Diego, USA
  2018 “International Ceramics Festival Mino ― From the Momoyama Era to the Present ― Succeeded from Shino and Oribe traditions”, SOGO Museum of Art, Yokohama, Japan
  2017 The 11th International Ceramics Competition Mino, The 11th International Ceramics Competition Mino, Gifu, Japan
  2016 “Wet/Fired: Matter as a Metaphorical Space”, The eighth Biennale of Israeli Ceramic, Eretz Israel Museum, Tel Aviv, Israel
  2016 “Ceramic Design From Israel: Techno.Logical Vessels”, Sant Pau Recinte Modernista, Barcelona, Spain
  2015 “Quest ? Ceramics & Photography”, Benyamini Contemporary Ceramic Center, Tel Aviv, Israel
  2013 Eretz Israel Museum, Tel Aviv, Israel
  2012 Whatcom Museum, Washington, USA
• AWARD
  2017 Honorable mention, The 11th International Ceramics Competition Mino, Mino Competition, Gifu, Japan
  2017 Bronze award, The 11th International Ceramics Competition Mino, Mino Competition, Gifu, Japan
  2014 Honorable mention, The Friedland Prize, Ceramic Artists Association of Israel, Tel Aviv, Israel
  1998 The Blumenthal Prize for outstanding final project, Bezalel Academy of Arts & Design, Jerusalem, ISrael
• COLLECTION
  2018 Museum of Modern Ceramic Art, Gifu, Japan
  2018 Museo Internazionale delle Ceramiche, Faenza, Italy
  2018 Musee des Arts decoratifs et du Design, Bordeaux, France
  2013 Israeli ceramic collection, Eretz Israel Museum, Tel Aviv, Israel
• RESIDENCY/WORKSHOP
  2018 International Ceramic Symposium, Um-El-Fahem, Israel

나의 예술적 언어는 미술과 도예의 역사로부터 비롯된 형식적인 관례, 이미지, 우상, 상징에 대한 고정관념을 해체한 후 사회적 성적 문제와 관련지어 현대적 맥락 안에서 재구성하는 데 기반을 두고 있다. 나는 새로운 성장과 발전을 가능하게 하는 도자라는 매체가 지닌 연약성과 수정하고 다시 만들 수 있다는 잠재력에 집중함으로써 도자 재료에 내재한 표현의 가능성을 확장하고자 한다.

My artistic language is based on the deconstruction of formal conventions, images, icons, and symbols from the history of art and ceramics, and their reassembly in contemporary contexts relating to social and gender issues. I seek to broaden the possibilities of material expression by accentuating its full potential of fragility, and the possibility of fixing and rebuilding, that allows new growth and development.