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• NATIONALITY
  Japan, 일본
• CURRENT JOB/POSITION
  Ceramist/Craftsman/Designer
• EDUCATION
  2013 Burg Giebichenstein Kunsthochschule Halle, Product Design and Applied Art (Porcelain, Ceramics, Glass), M.A.
  2004 Okayama Prefectural University, Ceramic Design Course, Department of Craft and Industrial Design, B.A.
• EXHIBITION
  2018 VERPARTNERT Aktuelles Kunsthandwerk aus den Partnerstadten Karlsruhe und Halle, Regierungsprasidium, Karlsruhe, Germany
  2018 Junge Talente, Handwerksform Hannover, Hannover, Germany
  2018 Die Kanne, der Inhalt, das Objekt, Galerie des Bayerischen Kunstgewerbevereins, Munich, Germany
  2017 Talents 2017, Messe Frankfurt, Frankfurt am Main, Germany
  2017 Grassi Messe 2017, Grassi Museum, Leipzig, Germany
  2017 Christmas Edition 2017, Handwerksform Hannover, Hannover, Germany
  2017 Ceramic Event VIII, Les Ateliers Galerie de l'O, Brussels, Belgium
  2016 Grassi Messe 2016, Grassi Museum, Leipzig, Germany
  2015 Ceramic Event VII, Les Ateliers Galerie de l'O, Brussels, Belgium
• AWARD
  2019 Silver prize, Terralha european ceramic festival, Competition of young european ceramic 2019, France
  2019 Prize in the category Innovation, NEUE KERAMIK Award, 37. Oldenburg International Ceramics Fair, Germany
  2017 shortlisted, Perron-Kunstpreis, Stadtverwaltung Frankenthal (Pfalz) Bereich Schulen, Kultur und Sport, Frankenthal (Pfalz), Germany
  2017 Finalist, Future lights 2017, Porzellanikon, Stoke-on-trent, England
  2014 honorable mention, TALENTE 2014, Handwerkskammer fu?r Mu?nchen und Oberbayern, Munich, Germany
  2005 honorable mention, The 7th International Ceramics Competition MINO, International Ceramics Festival Mino, Japan Executive Committee, Gifu, Japan
  2002 honorable mention, The 6th International Ceramics Competition MINO, International Ceramics Festival Mino, Japan Executive Committee, Gifu, Japan
• COLLECTION
  2017 Grassi Museum, Leipzig, Germany

나는 몰딩 기법을 사용하여 형태와 미를 추구한다. 몰딩 기법은 대량생산에 사용되는 수단이라고 간주될 수 있다. 나의 경험에 비추어 보면 일반적으로 물레 작업, 판 성형 등 몰딩 기법이 아닌 것이 전형적인 도자 기법이라고 추측되는 경향이 있다. 나의 작품 전시를 통해 관람객들에게 몰딩 기법을 이용한 형태의 전문성과 가능성을 인식시키고자 한다.

I am pursuing the form and aesthetic which are made by molding technique. Molding technique can be regarded as a tool of mass production. From my experience, people tend to suppose that other techniques such as throwing and slab building are typical of ceramics. Through the exhibition of my works, I would like you to recognize the speciality and possibility of form by molding technique.