• 
• 
• 
• 

• NATIONALITY
  Italy, 이탈리아
• CURRENT JOB/POSITION
  Artist
• EDUCATION
  1992 Ceramic Art National School G. Ballardini, Majolica Departement, Faenza
  1989 Ceramic Professional Center Training, Faenza
• EXHIBITION
  2018 TEA FOR TWO, Sokyo Gallery, Kyoto, Japan
  2018 Contemporary expressions from Italy, Ceramic Art Andenne, Andenne, Belgium
  2018 ABOUT CLAY, Onoma, Fiskars, Finland
  2016 TRUE TO FORM, Joanna Bird Gallery, London, United kingdom
  2016 IN-HABIT, Animali Domestici Gallery, London, United Kingdom
  2015 Rassegna Internazionale d'Arte Citta di Bozzolo, VII Biennale don Primo Mazzolari, Mantova, Italy
  2015 PAESAGGI COMUNI, Sokyo Gallery, Kyoto, Japan
  2014 EIGHT DAYS IN TOWN, Animali Domestici Gallery, London, United Kingdom
  2013 TEN YEARS AFTER, Officine Saffi gallery, Milano, Italy
  2013 LIFE IS A PUZZLE, Sokyo Gallery, Kyoto, Japan
• AWARD
  2017 Selected artist, XIII edition of the International Biennial of Ceramic Art of Aveiro, Aveiro, Portugal
  2017 Honorable mention, XXXIX International Competition of Ceramic Art city of Gualdo Tadino, Gualdo Tadino, Italy
  2013 Selected artist, 58 International Faenza Prize, MIC International Museum of Ceramic Fenza, Faenza, Italy
• RESIDENCY/WORKSHOP
  2017 Cerchio della vita - workshop, PInAC Foundation, Brescia, Italy
  2014 Blindbox - workshop, GAM - Gallery of Modern Art, Milan, Italy
  2013 Invited artist residency, Shigaraki Ceramic Sculpture Park, Shigaraki, Japan
  2013 Blindbox - workshop, Museo del '900 - Museum of XX century, Milan, Italy
  2012 Blindbox - workshop, Santa Giulia Museum, Brescia, Italy
  2011 Invited artist residency, Gyeonggi International Ceramic Biennale, Icheon, Korea
  2008 “From private offer to public domain” - workshop, National Insitute of Design, Ahmedabad, India

파우스토 살비의 작품은 대부분 대형 마욜리카 도자기로 그는 전통 마욜리카 조자기를 현대적으로 풀어내는 방법을 탐구한다. 현대 사회의 여러 사회적 정치적 양상들을 표현하기 위하여 노력하는 과정에서 그는 때로는 도자기가 아닌 다른 매체를 사용하기도 한다. 상이한 문화권을 여행하면서 얻는 지식이 살비의 창작 원천이 된다.

Fausto Salvi works with majolica, often in large scale, looking for a dialogue between old and contemporary styles. Trying to express social and political aspects of contemporary society, his work evolves sometimes through other mediums than ceramics. Travelling and deepening other cultures is the engine of his work.