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• NATIONALITY
  Poland, 폴란드
• CURRENT JOB/POSITION
  Artist
• EDUCATION
  2013 The Eugeniusz Geppert Academy of Fine Art and Design, Ceramic, master
• EXHIBITION
  2018 Porzellan biennale, Albrechtsburg Castle, Meissen, Germany
  2016 Young artist. highest level, National Museum, Wrocław, Poland
  2016 Ceramic and Glass. Sensual areas, The City Museum of Wrocław, Wrocław, Poland
  2016 Art meets Industry, Porzellanium, Triptis, Germany
  2016 36 CICA International ceramic competition l'Alcora, Museu de Ceramica de l'Alcora, l'Alcora, Spain
  2015 UNICUM 2015,3th International Triennial of Ceramics, National Museum Ljubljana, Ljubljana, Slovenia
  2015 From vassel to object, Promotions Gallery, Jelenia Gora, Poland
  2015 10th International Exhibition of Small Form Porcelain, Riga Porcelain Museum, Riga Porcelain Museum, Riga, Latvia
  2014 Talente 2014 International competition, National Museum Munich, Munich, Germany
  2014 Polish artists in Gmunden, Seeschloss Ort. Palas, Gmunden, Austria
• AWARD
  2018 I award, Teabowl with essence, The Eugeniusz Geppert Academy of Art and Design in Wroclaw, Wroclaw, Poland
  2016 I award, Nationwide competition in throwing on potter’s wheel, City of Bolesławiec, Bolesławiec, Poland
• COLLECTION
  2016 Spielraum 125 Eschenbach, Triptis, Germany
  2015 UNICUM 2015,3th International Triennial of Ceramics, Ljubljana, Slovenia
  2015 Riga Porcelain Museum, Riga, Latvia
• RESIDENCY/WORKSHOP
  2018 CERAMIC LABORATORY, VI International Ceramic Symposium, Daugavpils, Latvia
  2016 IX Festival of High Temperatures, Festival of High Temperatures, Wrocław, Poland
  2016 Art meets Industry, Spielraum 125 Eschenbach, Triptis, Germany
  2015 VIII Festival of High Temperatures, Festival of High Temperatures, Wrocław, Poland

나는 단순히 눈에 의지하여 작업한다. 나는 예술작품 창작과는 정반대인 기계적으로 반복된 구조를 통하게 나를 둘러싸고 있는 현실을 표현한다. 제한된 기법을 적용하여 움직임을 만든다. 이들 이미지들을 결합하여 최종 작품을 만든다.

In my creativity I am guided by a simple act of vision. The way I see the reality that surrounds me goes through a mechanically repeated structure on the opposite of the artwork. Limitations of the technique cause the movement over time. Only combination of images gives the final work.