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Hennie Meyer헨니 마이어

    Rep. of South Africa, 남아프리카공화국
    Ceramic Artist
    1989 University of Stellenbosch, School Arts degree
    20O5 - 2010 Ceramic Art London, Royal College of Art, London, United Kingdom
    2019 The Twelfth Language, solo exhibition, Ebony Curated Bordeaux House Gallery, Franschhoek, South Africa
    2017 Full Circle, solo exhibition, Ebony Curated, Franschhoek, South Africa
    2017 After the Party, solo exhibition, Rust en Vrede Gallery and Clay Museum, Durbanville, South Africa
    2016 Gebak, curator of group exhibition, University of Stellenbosch, Stellenbosch, South Africa
    2014 Ukusela eKapa installation at the Robben Island museum, Cape Town, South Africa
    2008 Group exhibition: 1st Shanghai International Modern Pot Art Biennale, China
    2016 Merit Award Corobrik National Ceramic Biennale, Johannesburg, South Africa
    2009 Honourable Mention, 5th CEBIKO Biennale, World Ceramic Foundation, Icheon, Korea
    2003 Merit Award ALTECH Ceramic Triennale, Cape Town, South Africa
    2000 CPS Sterling Award APSA Western Cape Regional Ceramic exhibition, Bellville, South Africa
    2016 Corobrik ceramic collection, Pretoria, South Africa
    2009 World Ceramic Exposition Foundation, Icheon, Korea
    2009 World Ceramic Exposition Foundation, Icheon, Korea
    2008 Iziko Museum, Cape Town, South Africa
    2003 SASOL Museum, Stellenbosch, South Africa
    2001 Pretoria Art Museum, Pretoria, South Africa
    2000 Nelson Mandela Metropolitan Art Museum, Port Elizabeth, South Africa
    2000 Durbanville Clay Museum, Durbanville, South Africa
    1995 South African Cultural History Museum, Cape Town, South Africa
    2017 17th Kohila Woodfiring Symposium, Estonian ceramics society, Kohila, Estonia
    2013 Clay Festival workshop presenter, Johannesburg, South Africa
    2002 Workshop presenter and Judge at the PAN Ceramic Biennale, Windhoek, Namibia

점토 작업은 나를 사유하게 만든다. 점토 자체가 나에게는 원초적인 영감이 된다. 점토를 재료로 하여 작품을 만드는 과정에서 재료와 소통하면서 새롭고 창의적이며 흥미있는 아이디어를 얻는다. 나는 3차원적인 형태를 반복해서 얻는 유니트의 집단, 그리고 이 집단이 만들어내는 여백의 미에 매료된다.

Working with clay allows me to think. The clay itself is my primary inspiration. The process of actively making and interacting with the material creates new, original, and exciting ideas. I am fascinated by multiples and the negative spaces created by the repetition of three-dimensional forms.