Artists Online Showroom

Joshua R. Clark조슈아 클락

    USA, 미국
    Assistant Professor of Art, New Mexico State University
    2015 Cranbrook Academy of Art, Ceramics, M.F.A
    2013 The Ohio State University, Ceramics, B.F.A.
    2018 Solo Exhibition, Yingge Ceramic Art Museum, New Taipei City Yingge, Taiwan
    2018 Contemporary Clay 2018, Western Colorado Center For The Arts, Grand Junction, Colorado, U.S.A.
    2018 2019 Solo Exhibition, ROYGBIV Gallery, Columbus, Ohio, U.S.A
    2018 2019 NCECA ANNUAL EXHIBITION The Form Will Find Its Way: Contemporary Ceramics Sculptural Abstraction, Katherine E. Nash Gallery, Minneapolis, Minnesota, U.S.A.
    2017 Espresso and Cappuccino Cups, Museum of International Design and Ceramics, Laveno Mombello, Italy
    2017 Currents: Color and Content, Gary R. Libby Gallery, University Of Florida, Gainesville, Florida, U.S.A
    2016 Taiwan Ceramic Biennale, New Taipei City Yingge Ceramics Museum, New Taipei City Yingge, Taiwan
    2016 Cranbrook +/-25 Traveling exhibition, 2016 NCECA Conference, New Mexico State University museum, Arizona State University museum, Kansas city, New Mexico, Arizona, U.S.A.
    2015 Zanesville Prize for contemporary ceramics, Zanesville Museum of Art, Zanesville, Ohio, U.S.A.
    2015 NCECA Biennale, David Winton Bell Gallery, Providence, Road Island, U.S.A.
    2016 Gold Prize, Taiwan Ceramic Biennale, Taiwan Ceramic Biennale, New Taipei City Yingge, Taiwan
    2017 Arizona State University Museum of Art, Tempe, Arizona, U.S.A.
    2016 New Taipei City Yingge Ceramics Museum, New Taipei City Yingge, Taiwan
    2016 Gold Prize resident artist, Taiwan Ceramic Biennale, New Taipei City Yingge, Taiwan

나는 사물의 표면 때문에 사물에 관심을 느끼지만, 확실히 꼬집어 알 수 없는 이유로 계속하여 머리에 맴도는 것에 흥미를 느낀다. 단지 다가갈 수만 있을 뿐이고 완전하게 잡는 것은 불가능한 현실, 어떤 확실한 의미도 가능하지 않은 현실에서 우리는 무언가 의미 있는 것을 발견할 수 있을 정도로 작품에 가까워질 수는 있다. 이것이 바로 내가 나의 작품에서 바라는 것이다.

I am interested in the things that capture our attention for superficial reasons, but which continue to haunt us for reasons we cannot quite put our finger on. A reality that can only be approached but never fully grasped, and while no concrete meaning is possible, one can orbit close enough to the work of art to come away with something meaningful. This is how I wish my works to be engaged.